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Rode NT1 5th Gen Review: Very Quiet, No Switches

Updated 2026-08-21 By Glen Gomez Meade, Composer and mix engineer
Quick answer

Buy the NT1 5th Gen if you want one of the quietest condensers made at a sane price and you like the idea of an XLR microphone that can also go straight into a computer. Skip it if your room has an audible noise floor, because a microphone quieter than your room is a specification you have already paid for and cannot use.

XLR and USB in one body, a self noise figure almost nothing beats, and nothing at all on the microphone to filter with.

Quietest capsule with a USB option

Rode NT1 5th Gen Large-Diaphragm Studio Condenser Microphone

~$214

A large diaphragm studio condenser with both XLR and USB outputs, supplied with a shock mount and pop filter.

Check price on Amazon

Specifications

Type Large diaphragm studio condenser
Outputs XLR and USB
Preamp Rode's ultra low noise, high gain Revolution Preamp on the USB path
Digital conversion High resolution, up to 192 kHz on the USB path
Body Machined aluminium with nickel plating and ceramic coating
Included Shock mount and pop filter
Approx. price Around $214

Specifications above come from Rode's published product description as listed on the Amazon product page. Treat pricing as approximate, since Amazon pricing moves.

What it does well

  • Extremely low self noise, which is what lets you record a soft voice or a distant source without the microphone's own hiss coming up with it.
  • Two outputs in one body, so it works in a conventional interface chain now and straight into a computer when that is simpler.
  • The classic NT1 voicing, which is warm rather than clinical and forgiving on a bright voice.
  • High SPL handling, so loud sources are on the menu despite the lack of a pad.
  • Shock mount and pop filter included, which removes around $60 of accessory purchases from the budget.

Where it falls short

  • No pad, no high pass filter, no switches. Rumble and proximity buildup are corrected downstream rather than at the capsule.
  • The very low noise figure is only useful if the room is quieter than the microphone, and most home rooms are not.
  • The USB path is tied to Rode's own software for the high resolution capture features, which is fine until you would rather it was not.
  • Cardioid only, with no pattern options.
  • It is a condenser, so an untreated room is recorded in detail and permanently. Nothing downstream separates the voice from the walls again.

What owners report

Published owner reviews describe a warm, smooth microphone with an unusually quiet noise floor, and the noise floor comes up in nearly every one. Owners recording quiet sources, spoken word and acoustic instruments report being able to push gain much further than they expected. Owners recording in ordinary rooms often note that what they hear at high gain turns out to be the room rather than the microphone, which is exactly what a very quiet capsule reveals.

The dual output draws consistent praise as a practical feature rather than a gimmick, particularly from buyers who wanted an XLR microphone but were not ready to buy an interface. The recurring criticism is the absence of any switches, which is the same complaint people make about most modern condensers in this class.

Where the money actually goes

If you are cross shopping at this price, the honest framing is in Rode NT1 versus AT2020: the extra money buys a lower noise floor and better accessories, not a fundamentally different microphone. The Audio-Technica AT2035 has the pad and the 80 Hz high pass this lacks for less money, and the Lewitt LCT 440 PURE is the flatter and more neutral alternative if you want a capsule with no opinion.

Before deciding, the more important question is the room. A quiet capsule in a noisy room is money spent on the wrong end of the chain. Run the acoustic treatment calculator for the reflections, deal with the fan and the fridge, and read condenser versus dynamic microphone if the room is bare and staying that way. The microphone placement distance chart costs nothing and changes recordings more than most upgrades do.

Who it suits

  • Soft singers, spoken word and anything recorded at more than a hand span from the capsule.
  • Quiet, at least partly treated rooms where a low noise floor is actually usable.
  • Anyone who wants an XLR microphone now and a direct to computer option as a fallback.
  • Bright voices that benefit from the warmer NT1 voicing.

Who should skip it

  • Rooms with an audible noise floor, where the specification you are paying for is wasted.
  • Anyone who wants a pad or a high pass filter on the microphone.
  • Untreated spaces, where a close dynamic produces a cleaner recording for far less money.
  • Anyone who needs multiple polar patterns.

Alternatives worth considering

Has the switches

Audio-Technica AT2035 Cardioid Condenser Microphone

~$159

An 80 Hz high pass and a 10 dB pad on the body, plus a shock mount, for around $55 less. The high pass is the control you would reach for on nearly every session, and no NT1 has one.

Check price on Amazon
More neutral

Lewitt LCT 440 PURE Large Diaphragm Condenser Microphone

~$299

A deliberately uncoloured response with a very low published self noise figure, plus a shock mount and magnetic pop filter. Take it when you want the recording to sound like the source rather than like a microphone with a character.

Check price on Amazon
For a bare room

Shure SM7B Dynamic Vocal Microphone

~$439

If the room is untreated and will stay that way, a cardioid dynamic worked close is the correct tool and a quiet condenser is the wrong one. The SM7B gives up detail and gives back a recording with far less room in it.

Check price on Amazon

Keep reading

This review draws on published specifications, manufacturer figures and the consensus of verified owner reviews. We have not tested this product ourselves, and we say so rather than implying otherwise. As an Amazon Associate we earn from qualifying purchases.

Frequently asked questions

Rode NT1 5th Gen vs AT2020, is the extra money worth it?

It buys a much lower noise floor, better build and a shock mount and pop filter in the box, and it does not buy a fundamentally different sound. If you record quiet or distant sources the noise figure is a genuine working advantage. If you record a close voice in a room with an audible noise floor, the AT2020 or the AT2035 will get you a very similar result for less.

Does the NT1 5th Gen have a high pass filter?

No, and neither does it have a pad. There are no switches on the microphone at all. Proximity buildup and low frequency rumble are handled with EQ afterwards, which means committing to a plugin decision rather than solving it at the capsule. The Audio-Technica AT2035 has both switches for less money if that matters to you.

Can I use the NT1 5th Gen without an interface?

Yes. It has a USB output alongside the XLR, with Rode's own preamp and conversion on that path, so it connects straight to a computer. The high resolution capture features on the USB path depend on Rode's software. Over XLR it behaves as a normal condenser and needs 48V phantom power from an interface.

Is a very low self noise figure worth paying for?

Only if your room is quieter than the microphone, and most are not. Self noise matters when the source is quiet, when the microphone is far from the source, or both, because those are the situations where you push the gain and start hearing the electronics. In an ordinary bedroom with a computer running, the room noise floor sits well above anything the microphone contributes.

Is the NT1 good for podcasting?

In a treated, quiet room it is excellent, and in an untreated one a dynamic is the better tool. A sensitive condenser records the room with the same fidelity it records your voice, and that room is permanently in the file. This is why broadcast studios use cardioid dynamics worked close, and why the SM7B and RE20 dominate podcasting despite being far less detailed microphones.

Working out your own room and signal chain? The Home Studio Build Planner is the paid version of these pages: 8 printable worksheets you fill in with your own numbers, plus the full PDF, $29.